Tag Archives: 2015

Keeping Our Perspective on War

When one takes a bird’s-eye view of bat­tle and civil­ian casu­al­ties by the num­bers, the results as shown above are shocking.

All of this helps one main­tain a healthy sense of per­spec­tive, and reveals that not only do present-day news chan­nels and dis­trib­u­tors exag­ger­ate the fre­quen­cy and feroc­i­ty of con­flicts on a reg­u­lar basis by flood­ing the pub­lic space with over-report­ing and embell­ish­ments, but we almost invari­ably are fed infor­ma­tion to arrive at a mind­set that makes us for­get on a dai­ly basis the major pow­ers have not fought one anoth­er since World War 2, and today’s war deaths (mil­i­tary and civil­ian) are minus­cule in comparison.

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Owl Give Ya Somethin’ Cute …

I present for your view­ing plea­sure one baby Great Horned Owl singing The Mon­ster Mash.

My life is offi­cial­ly complete.

Auditory Flashbacks: Hungry Lucy

This is the title track from their 2010 album (lyrics here). If this isn’t pure, wild, refined beau­ty, I don’t know what is.

Look­ing back in time, Hun­gry Lucy has fit my tastes in a decid­ed­ly odd way over the years. I’ve been a fan of their work since at least 2000 with the advent of Appari­tions, but some­how their orig­i­nal work did­n’t end up in my col­lec­tion until more recently.

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Reclaiming Old Tech for Music

I was brows­ing Slash­dot ear­li­er today when I came across a real­ly cool arti­cle show­ing how Tool­box Bodensee e.V. took a bunch of old flop­py dri­ves, added a con­troller with a piano inter­face, mount­ed the lot on a board with 3D print­ed hard­ware, and turned their strange mar­riage of parts into an entire­ly new kind of instrument.

Here we go …

… and it only gets weird­er from here.

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Tea: the Perfect Metaphor for Consent

In light of all the news sto­ries dis­cussing peo­ple who’ve had prob­lems con­cep­tu­al­iz­ing sex­u­al con­sent or estab­lish­ing rea­son­ably safe bound­aries for engag­ing in sex, these ani­ma­tors came up with a nov­el way of explain­ing it.

Here’s con­sent rewrit­ten as some­thing any­one can read­i­ly under­stand and com­mu­ni­cate to their partners:

Financial Corruption and Value Dilution in Higher Education

I’d been brows­ing through the news recent­ly for a col­lec­tion of arti­cles to share on a rather broad top­ic: the influ­ence of mon­eyed inter­ests on the edu­ca­tion­al sys­tem. This is a long­stand­ing inter­est of mine, hav­ing grown up dur­ing a time when a year in uni­ver­si­ty cost about $1,200, and hav­ing watched tuition rates and liv­ing costs bal­loon expo­nen­tial­ly ever since. But what shocked me into get­ting the links to this post up that much soon­er is this emerg­ing sto­ry from the US:

The Secu­ri­ties and Exchange Com­mis­sion on Tues­day said it brought fraud charges against ITT Edu­ca­tion­al Ser­vices Inc. and two of its top exec­u­tives, alleg­ing they mis­led investors about the loom­ing finan­cial impact of two bad­ly-per­form­ing stu­dent-loan pro­grams on the for-prof­it edu­ca­tor. […] ITT formed the stu­dent-loan pro­grams to pro­vide off-bal­ance-sheet loans for ITT’s stu­dents in the wake of the finan­cial cri­sis, when the mar­ket for pri­vate stu­dent loans dried up and for-prof­it schools cre­at­ed new ways to help stu­dents pay their tuition bills.”

source: Wall Street Journal

Let us fur­ther expand on the dia­logue sur­round­ing mon­ey in edu­ca­tion for the ben­e­fit of those who haven’t been as immersed in the debate:

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A Primer on Global Warming and Climate Change

Chances are you’ve heard some men­tion in the media or among gov­ern­ment in recent years about the top­ics of glob­al warm­ing, extreme weath­er, or cli­mate change. I won’t do sci­en­tists the indig­ni­ty of con­sid­er­ing the mat­ter a ‘debate’ much less use this word, because it would imply we’re still at the stage of try­ing to see if the meter swings one way or the oth­er on this impor­tant issue. No, much to the sur­prise of many, sci­ence has devel­oped itself exten­sive­ly and spo­ken in great cer­tain­ty: there is no longer any debate, and glob­al warm­ing and cli­mate change are both real and caused by humans.

So if there’s one post you peek at on the sub­ject today, let it be this one.

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Understanding Electronics: The (Non)Magic of Free Energy

I fig­ured I’d make a brief post to wet my read­ers’ feet in the vast pond of elec­tron­ics engi­neer­ing. Here’s a real­ly inter­est­ing video about the sub­ject of free ener­gy, nar­rat­ed by a spe­cial­ist who actu­al­ly works in and under­stands elec­tron­ics, and is able to point out in fair­ly com­mon terms why and how free-ener­gy devices are not pos­si­ble to create.

TL;DR — it’s not because there exists any set of spe­cial workarounds to our exist­ing laws of physics, or that alter­nate laws of physics exist for well-known phe­nom­e­na that are some­how wait­ing to be writ­ten. Rather, it’s almost uni­ver­sal­ly the case that peo­ple, even well-mean­ing ones, tend to mis­in­ter­pret units of mea­sure, fail to prop­er­ly con­cep­tu­al­ize math­e­mat­i­cal equa­tions, and fail to incor­po­rate numer­ous sci­en­tif­ic pro­ce­dures and prin­ci­ples in their work. To add fuel to the fire, most peo­ple who cham­pi­on free ener­gy devices gen­er­al­ly choose to spend their time with those of the same mind­set, an effect which in time mul­ti­plies the shaky devi­a­tions of com­pre­hen­sion and foun­da­tion­al stud­ies, and fur­ther dimin­ish­es the capac­i­ty to be self-correcting.

Auditory Flashbacks: Helium Vola

For those who haven’t heard of them before, today’s post is going to give some exam­ples of the amaz­ing work that’s been cre­at­ed over the years by Heli­um Vola. Based in Ger­many, active since 2001, and head­ed up by com­pos­er Ernst Horn who also holds con­sid­er­able renown for his oth­er work under Deine Lakaien and Qntal, Heli­um Vola mix­es the haunt­ing into­na­tions of numer­ous dead lan­guages with the effer­ves­cent melodies of its ongo­ing elec­tron­ic, neo-medieval, and neo-clas­si­cal explorations.

While the over­all atmos­phere of most of their work is marked­ly ethe­re­al in nature and has long found its great­est strengths in that style, it has­n’t stopped the band from branch­ing out in oth­er ways, as can eas­i­ly be noticed over time. This has result­ed in cer­tain tracks giv­ing an utter­ly chaot­ic feel­ing at times, peri­od­i­cal­ly laps­ing into wide vari­a­tions of melody and tem­po, pro­duc­ing rather unex­pect­ed results that can tend to be a strong hit or miss to the lis­ten­er. This is more preva­lent in their recent albums than the old­er ones, seem­ing to come and go at whim on cer­tain tracks, sug­gest­ing both an ongo­ing, ephemer­al sort of exper­i­men­ta­tion, and per­haps unex­pect­ed­ly tap­ping into a lis­ten­er’s more vis­cer­al reac­tion. There are times one won­ders what’s sud­den­ly tran­spired, when all of a sud­den the song weaves back into its orig­i­nal tone and tem­po, that much stronger for the juxtaposition.

This is some­thing that’s high­ly sub­jec­tive, to say the least. You’ll have to lis­ten for your­self and decide.

Also, while Heli­um Vola’s work tends not to be first thing that springs to mind when­ev­er one thinks of the word ‘dance,’ the raw, organ­ic, flu­id emo­tions expressed in these songs and their qui­et­ly rest­less rhythms bring a spe­cial con­tri­bu­tion to the table, and when one is immersed in the soar­ing vocals and flut­ter­ing tones of cer­tain songs, it’s not long before one feels the sen­su­al wisps of temp­ta­tion pulling at the mind to sway and drift in uni­son, to speak melody through motion, to aspire to dreams that fly as high.

On a per­son­al lev­el, I’ve found this a very rare expe­ri­ence to dis­cov­er in any musi­cal artist, and I find myself wish­ing we had some­thing — any­thing — like it in Cana­da. Along­side bands like Qntal, Atarax­ia, and oth­ers (who will be dis­cussed in future posts), I’ve noticed HV falls into a very spe­cif­ic niche even with­in the goth­ic sub­cul­ture where their par­tic­u­lar style seems much more wide­ly rec­og­nized. I find it odd they’re not more well known giv­en the obvi­ous­ly dark direc­tion in which their music leans, but either way, it does­n’t real­ly mat­ter so much as the fact I feel bet­ter off for hav­ing expe­ri­enced their work, and I’d like to offer the same to my read­ers. It took years of explor­ing before I found them, and that was large­ly by accident.

With­out fur­ther ado, let us take a brief jour­ney through time.

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